Calder 1941 Lin Prints Monk’s enigmatic new series The

Monk’s enigmatic new series The Ferryman is comprised of large-scale paintings and smaller compositions that draw from a range of visual and literary sources

a star in a generation of avant-garde Japanese artists associated with the neo-Pop ‘Superflat' movement

An essay by Dore Ashton explores the artist’s influences—from the iconography of tantric paintings and Christian images to alphabets and daily newspapers—that have contributed to his pictorial approach to thinking and creating

Taken from interviews

and offers new insights into this important artist’s contributions to his field

Calder 1941 Lin Prints Monk’s enigmatic new series The1941 was a seminal year in Alexander Calders career and the apotheosis of a decade of experimentation following his invention of the mobile in 1931. Published on the occasion of the 2011 exhibition at Pace Gallery in New York, this catalogue presents a selection of Calders hanging and standing mobiles created over the course of this milestone year. Along with an essay by Calder scholar Jessica Holmes, Calder 1941 also includes a series of 1941